Radionica: Fragmenti sjećanja – zine kao osobni arhiv u nastajanju
U vremenu beskonačnih galerija i cloud servisa, naše svakodnevne slike rijetko prelaze granicu ekrana. Što znači prevesti ih iz digitalnog zapisa u fizički trag? I što se događa kada krenemo svjesno birati, rezati i slagati vlastite arhive? Sve to možete saznati radeći zajedno s Lanom Peričić (HR/UK), voditeljicom radionice Fragmenti sjećanja – zine kao osobni arhiv u nastajanju , koja se održava u četvrtak i petak, 23. i 24. travnja 2026. od 18h u Radioninom labu. For English, please scroll down. Ilustracija: Lana Peričić (cc) Na ovoj radionici bavimo se hakiranjem osobnih arhiva – procesom u kojem digitalne fotografije transformiramo od clouda do papira , kroz eksperimentiranje s formom zinea kao portabilnog, intimnog i taktilnog medija. Zine je DIY (uradi-sam) mala publikacija koja vuče korijene iz znanstveno-fantastičnih fanzina 1930-ih, a kasnije se razvija kroz punk i underground kulture te Riot Grrrl pokret 1990-ih, služeći kao eksperimentalni, osobni medij koji kroz kombinaciju teksta, slike i kolaža omogućuje izražavanje i distribuciju ideja izvan mainstream formata. Kroz praktičan rad s mini printerima i kolažnim tehnikama, sudionici prolaze put od digitalne slike do fizičkog zinea , istražujući kako nastaje kompresija života u zine : što biramo, što izostavljamo i kako fragmenti postaju narativ. Radionica otvara pitanja suvremenog odnosa prema slici i memoriji – između hiperprodukcije i zaborava, između pohrane i značenja. U tom procesu zine postaje alat za tiskanje memorije , ali i kritički okvir za razumijevanje vlastitih vizualnih navika. Polazimo od ideje da su danas naši arhivi istovremeno i preveliki i nevidljivi – mali arhivi, veliki podaci te kroz ovu radionicu istražujemo kako ih ponovno učiniti čitljivima, osobnima i prenosivima. Sudionici mogu donijeti vlastite fotografije (digitalne ili fizičke). Materijali i mini printeri bit će osigurani. Prijaviti se možete preko poveznice: https://forms.gle/EKNxdmv7hp8YeyGz7 do utorka, 22. travnja 2026. u ponoć. Radionica je intergeneracijska i ulaz je slobodan. Radionica je dio doktorskog istraživanja na Sveučilištu Falmouth u Velikoj Britaniji. Foto: Lana Peričić (cc) O voditeljici: Lana Peričić je kreativna tehnologinja, edukatorica i doktorandica čije istraživanje proučava kako digitalne fotografije oblikuju obiteljsko pamćenje i identitet. Kroz metode poput kreativnog kodiranja, fotogrametrije i participativnih radionica, njezin rad propituje vizualnu hiperprodukciju te istražuje smislenije načine kuriranja i organiziranja digitalnih obiteljskih arhiva. Uz istraživački rad, Lana djeluje kao asistentica u nastavi na preddiplomskom studiju Digital Media Design na University of Plymouth, kao i međunarodno na Nanjing University of Arts. Sudjelovala je i na projektima angažmana zajednice, gdje vodi radionice, kurira arhivske izložbe i razvija instalacije. U svom radu bavi se temama digitalnog pamćenja, vizualne kulture, obiteljske baštine i uloge fotografije u oblikovanju osobnih i kolektivnih narativa. Web: https://www.falmouth.ac.uk/research/researcher-community/lana-pericic Podržali: Sveučilište Falmouth / Ministarstvo kulture i medija RH / Grad Zagreb / Zaklada Kultura nova ///////////////////////////////////////////////////////////////////////////////////////////////////////////////// Workshop: Fragments of Memory – zine as a personal archive in the making In a time of endless galleries and cloud storage, our everyday images rarely move beyond the screen. What does it mean to translate them from a digital record into a physical trace? And what happens when we begin to consciously select, cut, and assemble our own archives? You can find out all this by working together with Lana Pericic (HR/UK), the leader of the workshop Fragments of Memory – Zines as Personal Archives in the Making, which will take place on Thursday and Friday, April 23rd and 24th, 2026, from 6pm in the Radion Lab. This workshop explores hacking personal archives – a process of transforming digital photographs from cloud to paper , experimenting with the zine as a portable, intimate, and tactile medium. A zine is a DIY (do-it-yourself) small publication that traces its roots to 1930s science fiction fanzines , later evolving through punk and underground cultures and the 1990s Riot Grrrl movement , serving as an experimental, personal medium that combines text, images, and collage to express and distribute ideas outside mainstream formats. Through hands-on work with mini printers and collage techniques, participants move from digital image to physical zine , exploring how compressing life into a zine works: what we choose, what we leave out, and how fragments become narrative. The workshop opens questions around our contemporary relationship to images and memory – between hyper-production and forgetting, between storage and meaning. In this context, the zine becomes a tool for printing memory , as well as a critical framework for reflecting on our visual habits. Starting from the idea that our archives today are both overwhelming and invisible – small archives, big data – we explore ways to make them readable, personal, and transferable again. Participants are welcome to bring their own photographs (digital or physical). Materials and mini printers will be provided. You can register via the link: https://forms.gle/EKNxdmv7hp8YeyGz7 by Tuesday, April 22, 2026 at midnight. The workshop is intergenerational and admission is free. The workshop is part of doctoral research at Falmouth University in the UK. About workshop leader: Lana Pericic is a creative technologist, educator, and PhD researcher whose work explores how digital photographs shape family memory and identity. Through methods such as creative coding, photogrammetry, and participatory workshops, her work questions visual abundance and investigates more meaningful ways of curating and organizing digital family archives. Alongside her research, she works as an Associate Lecturer on the undergraduate Digital Media Design programme at the University of Plymouth and collaborates internationally with Nanjing University of Arts. She has also contributed to community engagement projects, facilitating workshops, curating archival exhibitions, and developing installations. Her research interests include digital memory, visual culture, family heritage, and the role of photography in shaping personal and collective narratives. Supported by: Falmouth University / Ministry of Culture and Media of the Republic of Croatia / City of Zagreb / Kultura nova Foundation